THE ARTS SOCIETY SIDMOUTH
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DateEvent
01 March 2018An Introduction to Modern Art
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01 March 2016New York, New York
24 November 2015 Mozart - Salzburg - Vienna
24 March 2015The Wallace Collection
25 November 2014 The Art and Scandalous Lives of the Bloomsbury Group
18 March 2014Treasures from the Royal Collection
26 November 2013Theatrical Personalities of the 20th Century : Evans, Gielgud, Richardson, Olivier and Ashcroft
21 November 2013S W Area Study Day. Art Inspired by War
18 April 2013SW Area Study Day: Let there be Light
19 March 201318th Century English Porcelain
21 November 2012Jewellery: Art Deco and Beyond
15 November 2012The Grand Tour and the Influence of Italy on English Gardens
22 March 2012The River Thames
24 November 2011The Culture of China
15 March 2011Twentieth Century English Gardens
12 November 20105000 Years of Glass

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An Introduction to Modern Art Linda Smith Thursday 01 March 2018

Linda holds two first-class degrees in Art History. She is an experienced guide and lecturer at Tate Britain, Tate Modern and the Dulwich Picture Gallery. She lectures to secondary school audiences and independent arts societies.

This study day aims to explain the often bewildering and controversial world of modern and contemporary art. It covers all the key developments in painting and sculpture during the twentieth century, and examines how they relate to the major social changes and historical events of their times. The baffling list of ‘isms’ is explained, and the huge post-war expansion away from traditional painting and sculpture into areas like Land Art and Performance art is also examined.

Session One: 1900-1930: The day starts by covering all the key early developments in painting and sculpture including Fauvism, Expressionism, Cubism, Futurism, Vorticism, Neue Sachlichkeit, Dada, Primitivism, and ‘Call to Order’ Classicism. Links between painting and sculpture are explored, and how it all relates to major social change and historical events of the period. It is chiefly concerned with art in Europe and Britain.

Session Two: 1930-1960: This session starts with Surrealism, and the tensions created between it and different kinds of abstraction. It then moves on to look at art produced by the totalitarian regimes of the thirties and how that affected ideas about art after the war. The focus then shifts from Europe to the United States to look at Abstract Expressionism, Pop and Minimalism. British art, which was particularly strong in figurative painting in the post-war period, is also covered.

Session Three – art since the 60s: This section explains the likes of Land Art, Body Art, Performance Art, and how they relate to the counter-cultures of the 60s and 70s, and demonstrates how those artists were reviving techniques used by the early avant-gardes before the First World War. It also looks at the impact of feminism, the rise of film and video techniques, neo- expressionist painting of the 1980s, the Turner Prize and Young British Artists of the 1990s. 

The cost of the day will be £26 and the booking form can be found here. Please note that it will be held in Kennaway House and not at the Blue Boar as previously advertised.